And the box office champion this week is...

LOS ANGELES – Young wizard Harry Potter fended off fairy-tale princess Rapunzel at the weekend box office.

"Harry Potter and the Deathly Hallows: Part 1" took in $49.1 million over Thanksgiving weekend to remain the No. 1 movie.

The animated musical "Tangled," an update of the Rapunzel fairy tale, debuted in second-place with $48.8 million.

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by Hollywood.com are:

1. "Harry Potter and the Deathly Hallows Part I," Warner Bros., $49,087,101, 4,125 locations, $11,900 average, $219,056,129, two weeks.

2. "Tangled (3-D animated)," Disney, $48,767,052, 3,603 locations, $13,535 average, $68,706,298, one week.

3. "Megamind," Paramount/DreamWorks Animation, $12,575,778, 3,411 locations, $3,687 average, $130,218,934, four weeks.

4. "Burlesque," Sony/Screen Gems, $11,947,744, 3,037 locations, $3,934 average, $17,300,213, one week.

5. "Unstoppable," Fox, $11,432,903, 3,183 locations, $3,592 average, $60,442,621, three weeks.

6. "Love and Other Drugs," Fox, $9,739,161, 2,455 locations, $3,967 average, $13,901,532, one week.

7. "Faster," CBS Films, $8,523,153, 2,454 locations, $3,473 average, $12,002,840, one week.

8. "Due Date," Warner Bros., $7,167,885, 2,555 locations, $2,805 average, $84,861,008, four weeks.

9. "The Next Three Days," Lionsgate, $4,683,123, 2,564 locations, $1,826 average, $14,392,072, two weeks.

10. "Morning Glory," Paramount, $3,910,058, 2,441 locations, $1,602 average, $26,340,571, three weeks.

Irvin Kershner, Director "The Empire Strikes Back", "The Eyes Of Laura Mars", "Robocop 2". 1923-2010

LOS ANGELES – When George Lucas needed someone to direct the sequel to "Star Wars," he turned to veteran filmmaker Irvin Kershner.

Under Kershner's direction, Luke Skywalker learned that Darth Vader was his father and Han Solo delivered one of his most memorable lines, responding to Princess Leia's "I love you" with "I know."

Lucas and others in Hollywood on Monday mourned the death of "The Empire Strikes Back" director. Kershner died Saturday at his Los Angeles home after a 3 1/2-year battle with lung cancer. He was 87.

Kershner had already made several well-received movies when Lucas tapped him to direct "Empire," the second "Star Wars" film to be released but the fifth in the overall "Star Wars" chronology.

Lucas, the "Star Wars" creator, said he didn't want to direct the sequel himself.

"I needed someone I could trust, someone I really admired and whose work had maturity and humor. That was Kersh all over," Lucas said in a statement. "I didn't want 'Empire' to turn into just another sequel, another episode in a series of space adventures. I was trying to build something."

Lucas said he considered Kershner a mentor and called him "a great director and one of the most genuine people I've had the pleasure of knowing."

Released in 1980, "Empire" was a darker story than the original. It initially got mixed reviews but has gone on to become one of the most critically praised.

Kershner told Vanity Fair in October that he tried to give the sequel more depth than the 1977 original.

"When I finally accepted the assignment, I knew that it was going to be a dark film, with more depth to the characters than in the first film," he said. "It took a few years for the critics to catch up with the film and to see it as a fairy tale rather than a comic book."

Kershner said he had only one sharp disagreement with Lucas. The script originally called for the heroine, Princess Leia, to tell space pilot Han Solo "I love you" and for him to reply "I love you, too."

"I shot the line and it just didn't seem right for the character of Han Solo," Kershner said.

Instead, actor Harrison Ford improvised the reply: "I know."

Lucas wanted the original line but after test previews agreed to leave in Ford's reply.

The Philadelphia-born Kershner studied music, painting and photography before turning to film. He attended the University of Southern California film school and in the 1950s made U.S. government documentaries in Greece, Iran and Turkey.

He was a director and cameraman for a television documentary series called "Confidential File" in Los Angeles before getting his first movie break in 1958 when Roger Corman helped finance his first feature, "Stakeout on Dope Street," which Kershner wrote and produced with colleague Andrew Fenady, said longtime friend and Hollywood publicist Dick Guttman.

Kershner went on to direct a number of noted features in the 1960s and 1970s, including "A Fine Madness" with Sean Connery, Joanne Woodward and Jean Seberg; "The Flim-Flam Man" with George C. Scott; "Loving" with George Segal and Eva Marie Saint; and "The Eyes of Laura Mars" with Faye Dunaway.

The 1976 television movie "Raid on Entebbe" earned him an Emmy nomination for direction.

Along with "Empire," his big-budget work included the 1983 James Bond film "Never Say Never Again" with Connery and "Robocop 2" in 1990.

Kershner also was an occasional actor. He played the priest Zebedee in Martin Scorsese's "The Last Temptation of Christ."

In recent years, Kershner taught screenwriting at the University of Southern California while continuing to produce, write and create still photographs, Guttman said.

Francis Ford Coppola said in a statement, "We all enjoyed knowing Kersh, learning from him and admired his creative spirit and indomitable will."

Barbra Streisand, a friend who worked with Kershner on 1972's "Up the Sandbox," said, "He had the most incredible spirit, an exuberance for life. Always working, always thinking, always writing, amazingly gifted and forever curious."

At the time of his death, Kershner was working on a documentary about his friend, writer Ray Bradbury, and a musical called "Djinn" about the friendship between a Jewish immigrant and an Arab sheik in Palestine before it became Israel.

Kershner is survived by two sons, David and Dana.

"My father never really retired. He had a powerful drive to create — whether it be through film, photography or writing," David Kershner said.

Leslie Nielsen - Actor, "Forbidden Planet", "Poseidon Adventure", "Airplane", "The Naked Gun" 1926-2010

FORT LAUDERDALE, Fla. – Leslie Nielsen, who went from drama to inspired bumbling as a hapless doctor in "Airplane!" and the accident-prone detective Frank Drebin in "The Naked Gun" comedies, has died. He was 84.

His agent John S. Kelly says Nielsen died Sunday at a hospital near his home in Ft. Lauderdale where he was being treated for pneumonia.

The Canadian-born Nielsen came to Hollywood in the mid-1950s after performing in 150 live television dramas in New York. With a craggily handsome face, blond hair and 6-foot-2 height, he seemed ideal for a movie leading man.

He quickly became known as a serious actor, although behind the camera he was a prankster. That was an aspect of his personality never exploited, however, until "Airplane!" was released in 1980 and became a huge hit.

Cinemateria, programa del Sabado 27 de Noviembre del 2010.

En este programa criticamos a "Faster" y "Tangled". Con Marcos Rodríguez y Alberto Reyes. Duración 48 min, 50 seg.

And the Box Office Champion this week is...

LOS ANGELES – Harry Potter has cast his biggest box-office spell yet with a franchise record $125.1 million domestically over opening weekend, according to studio estimates Sunday.

"Harry Potter and the Deathly Hallows: Part 1" also added $205 million in 54 overseas countries, bringing the film's worldwide total to $330.1 million.

In terms of domestic revenue, "Deathly Hallows: Part 1" came in ahead of the series' best previous debut of $102.7 million for 2005's "Harry Potter and the Goblet of Fire."

But factoring in today's higher admission prices, the latest movie had roughly the same size audience as the franchise's best previous draws — "Goblet of Fire" and 2001's "Harry Potter and the Sorcerer's Stone," which launched the series. "Deathly Hallows" and those two earlier movies each sold around 16 million tickets in their first weekend.

Overseas markets for "Deathly Hallows" were led by a $28 million opening in Great Britain, $21.8 million in Germany, $14.8 million in Australia, $14 million in Japan and $12.3 million in Russia.

The movie audience has grown up along with young wizard Harry (Daniel Radcliffe) and his friends Hermione (Emma Watson) and Ron (Rupert Grint). Distributor Warner Bros. reported that 25 percent of the audience for the new movie was between 18 and 34, compared with only 10 percent for "Sorcerer's Stone" nine years ago.

"When we started `Harry Potter,' basically, the audience was driven to theaters by their parents. Today, those same kids are driving to the midnight shows themselves," said Dan Fellman, head of distribution for Warner Bros.

DreamWorks Animation's "Megamind," the No. 1 movie the previous two weekends, fell to second-place with $16.2 million, raising its three-week total to $109.5 million.

Russell Crowe's thriller "The Next Three Days," the weekend's only other new wide release, debuted weakly at No. 5 with $6.8 million. Crowe plays a college instructor who plots a jail break to free his wife (Elizabeth Banks) after she's convicted of murder.

Playing in 4,125 theaters domestically, "Deathly Hallows: Part 1" averaged an enormous $30,332 a cinema. That compared with a $2,633 average in 2,564 theaters for "The Next Three Days."

The huge opening bodes well for next July's "Deathly Hallows: Part 2," the eighth and final movie based on J.K. Rowling's seven "Harry Potter" novels. The franchise so far has taken in more than $5.5 billion worldwide.

Warner Bros. plans to release "Deathly Hallows: Part 2" in 3-D, which should give it a big box-office boost, since theaters charge a few dollars more to see movies projected in 3-D compared with 2-D.

"This is kind of the warmup to the potentially 3-D supercharged finale, and that could really take these `Potter' numbers to another level," said Paul Dergarabedian, box-office analyst for Hollywood.com.

The studio had hoped to release "Deathly Hallows: Part 1" in 3-D, but the filmmakers ran out of time to convert the film, which was shot in 2-D, for 3-D projection.

"Deathly Hallows: Part 1" landed at No. 6 on the domestic revenue chart for biggest opening weekends, a list headed by 2008's "The Dark Knight" with $158.4 million. It also was this year's second-biggest debut, behind "Iron Man 2," which is No. 5 on the all-time chart with $128.1 million.

With $61.2 million Friday, "Deathly Hallows: Part 1" had the fifth-biggest opening day ever.

The film took in $12.4 million, just over 10 percent of its weekend domestic revenue, in huge-screen IMAX theaters. That broke the previous IMAX record debut of $12.1 million set in March by "Alice in Wonderland."

"Harry Potter" was not able to lift Hollywood's total weekend receipts above last year's. Overall revenue came in at an estimated $197 million, down 24 percent from the same weekend a year ago, when the industry had a one-two punch with debuts of $142.8 million for "The Twilight Saga: New Moon" and $34.1 million for "The Blind Side," according to Hollywood.com.

Hollywood is poised for big business over Thanksgiving, one of its busiest weekends.

Revenues should remain strong for "Harry Potter," while studios are delivering a broad range of newcomers with Disney's animated musical "Tangled," featuring the voice of Mandy Moore; Sony's song-and-dance tale "Burlesque," starring Christina Aguilera and Cher; 20th Century Fox's romance "Love & Other Drugs," with Jake Gyllenhaal and Anne Hathaway: and CBS Films' action thriller "Faster," featuring Dwayne Johnson.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.

1. "Harry Potter and the Deathly Hallows: Part 1," $125.1 million.

2. "Megamind," $16.2 million.

3. "Unstoppable," $13.1 million.

4. "Due Date," $9.2 million.

5. "The Next Three Days," $6.8 million.

6. "Morning Glory," $5.2 million.

7. "Skyline," $3.4 million.

8. "Red," $2.5 million.

9. "For Colored Girls," $2.4 million.

10. "Fair Game," $1.5 million.

Cinemateria, programa del Sabado 20 de Noviembre del 2010.

En este programa presentamos las criticas de las películas "Harry Potter and the Deadly Hallows" y "Unstoppable". Duración 53 min. 30 seg.

Programa de Cinemateria Grabado el Sabado 13 de Nov. del 2010.

En este programa criticamos la película "Skyline". En exclusiva, tenemos una entrevista con el director Sigfrid Monleón sobre su película "El Cónsul de Sodoma", que se exhibe en el Puerto Rico Queer Filmfest.

Anfitrión : Marcos Rodríguez.

Invitados : Alberto Reyes (El Ultimo Bunker), Carlos Torres (Paquines.Com) y Siegfrid Monleón ("El Cónsul De Sodoma")

Duración 52 min. 36 seg.

And the box office champion this week is...

LOS ANGELES – Will Ferrell's dastardly schemes continue to succeed, with the animated "Megamind" staying at the top of the box office.

The DreamWorks Animation 3-D comedy, featuring Ferrell as the voice of a super villain, made just over $30 million in its second week in theaters, according to Sunday studio estimates. It's now made nearly $90 million total. "Megamind" also features the voices of Brad Pitt, Tina Fey and Jonah Hill.

Opening in second place is the 20th Century Fox action thriller "Unstoppable," starring Denzel Washington and Chris Pine as railroad workers trying to stop a massive runaway train. It made $23.5 million. The movie is based on a 2001 Ohio incident in which a train carrying hazardous cargo traveled 66 miles without a crew.

Last week's No. 2 film, "Due Date," fell to the third spot with $15.5 million. The Warner Bros. comedy features Robert Downey Jr. and Zach Galifianakis as opposites stuck together on a cross-country road trip. It's now made $59 million in two weeks.

Among the weekend's other new releases, "Skyline" opened in fourth place with $11.7 million. The Universal Pictures sci-fi thriller depicts aliens invading and destroying Los Angeles. And "Morning Glory," a Paramount comedy set in a network morning show starring Rachel McAdams, Harrison Ford and Diane Keaton, opened at No. 5 with about $9.6 million.

Anne Globe, head of worldwide marketing for DreamWorks Animation, said positive word of mouth helped "Megamind" remain on top.

"It's exciting because audiences are clearly responding very well to the movie," said Globe. "This was a decided No. 1 again. We were only down 35 percent, which is a pretty terrific hold for the movie."

But "Megamind" is the rare family movie in theaters these days, which also helps, said Hollywood.com analyst Paul Dergarabedian. Next week, the feverishly anticipated first half of the "Harry Potter" finale, "Harry Potter and the Deathly Hallows: Part 1," debuts.

"Up until 'Megamind' the marketplace was virtually devoid of any family films," Dergarabedian said. "The R-rated films were dominating: You had 'Paranormal Activity 2,' 'Saw 3-D,' 'Jackass 3D.' Then there was a plethora of adult-oriented dramas: 'Secretariat,' 'The Social Network,' 'Hereafter,' all those films. Then there were movies for older audiences like 'Red.'"

The fact that "Megamind" is in 3-D is also a draw to younger audiences, he said: "Kids love 3-D. Kids love the gimmicky thing."

"Unstoppable," the fifth film Washington has made with director Tony Scott, debuted slightly better than the $21.4 million average opening of their collaborations. Previously, they'd worked on "Crimson Tide," "Man on Fire," "Deja Vu" and "The Taking of Pelham 123."

The movie had surprisingly good reviews for an action picture — 86 percent positive on Rotten Tomatoes — and the audience was evenly divided between men and women, said Bert Livingston, general sales manager for 20th Century Fox

"It doesn't happen very often, but when you get reviews like that and people like the movie so much, and they come out and tell their friends, it's the first weekend but it's just a beginning," Livingston said.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.

1. "Megamind," $30 million.

2. "Unstoppable," $23.5 million.

3. "Due Date," $15.5 million.

4. "Skyline," 11.7 million.

5. "Morning Glory," $9.6 million.

6. "For Colored Girls," $6.75 million.

7. "Red," $5.1 million.

8. "Paranormal Activity 2," $3 million.

9. "Saw 3-D," $2.75 million.

10. "Jackass 3-D," $2.3 million.

Dino De Laurentiis-Film Producer: "La Strada", "Serpico", "King Kong" 1919-2010

ROME (Reuters) – Oscar-winning Italian film producer Dino De Laurentiis, who brought to the big screen nearly 500 films including "Serpico," "Three Days of the Condor" and "King Kong," died in Los Angeles aged 91, Italian media said on Thursday.

De Laurentiis produced several Italian classics in collaboration, including Federico Fellini's "La Strada," for which he won an Oscar in 1957.

He moved to the United States in the 1970s after the failure of his film studios in Rome, and turned to a string of big international productions, including a few flops.

He was behind the legendary King Kong remake of 1976, the killer whale film "Orca," several adaptations of Stephen King's novels, and most recently "Hannibal," the sequel to "The Silence of the Lambs."

Apart from his film career, he was also the loving grandfather of The Food Network's star Giada De Laurentiis.

May he Rest in Peace

Cinemateria, Sabado 6 de Nov. del 2010.

En este programa, criticamos las películas "Let Me In" y "Megamind". Como invitados tenemos a Víctor Gonzalez y Jaime Santiago para hablarnos de la segunda edición del "Puerto Rico Queer Film Fest".

Jill Clayburgh, Actress, "An Unmarried Woman". 1944 - 2010

Jill Clayburgh, whose Broadway and Hollywood acting career stretched through the decades, highlighted by her Oscar-nominated portrayal of a divorcee exploring her sexuality in the 1978 film "An Unmarried Woman," died Friday. She was 66.

Her husband, Tony Award-winning playwright David Rabe, said she died after a 21-year battle with chronic lymphocytic leukemia. She was surrounded by her family and brother when she died at her home in Lakeville, Conn., he said.

She dealt with the disease courageously, quietly and privately, Rabe said, and conducted herself with enormous grace "and made it into an opportunity for her children to grow and be human."

Clayburgh, alongside peers such as Anne Bancroft, Shirley MacLaine and Jane Fonda, helped to usher in a new era for actresses in Hollywood by playing women who were confident and capable yet not completely flawless. Her turn as a mother dealing with life after 16 years of marriage in "An Unmarried Woman" earned Clayburgh her first Oscar nod.

"There was practically nothing for women to do on the screen in the 1950s and 1960s," Clayburgh said in an interview with The Associated Press while promoting "An Unmarried Woman" in 1978. "Sure, Marilyn Monroe was great, but she had to play a one-sided character, a vulnerable sex object. It was a real fantasy."

The next year, Clayburgh was again nominated for an Academy Award for "Starting Over," a comedy about a divorced man, played by Burt Reynolds, who falls in love but can't get over his ex-wife.

Clayburgh came from a privileged New York family. Her father was vice president of two large companies, and her mother was a secretary for Broadway producer David Merrick. Her grandmother, Alma Clayburgh, was an opera singer and New York socialite.

Growing up in a such a rich cultural mix, she could easily have been overwhelmed. Instead, as she said in interviews, she asserted herself with willful and destructive behavior — so much so that her parents took her to a psychiatrist when she was 9.

She escaped into a fantasy world of her own devising. She was entranced by seeing Jean Arthur play "Peter Pan" on Broadway, and she and a school chum concocted their own dramatics every day at home. She became serious-minded at Sarah Lawrence College, concentrating on religion, philosophy and literature.

Clayburgh also took drama classes at Sarah Lawrence. She and her friend Robert De Niro acted in a film, "The Wedding Party," directed by a Sarah Lawrence graduate, Brian DePalma. After graduating with a bachelor of arts degree, she began performing in repertory and in Broadway musicals such as "The Rothschilds" and "Pippin."

Alongside Richard Thomas, she headed the 2005 Broadway cast of "A Naked Girl on the Appian Way," Richard Greenberg's comedy about one family's unusual domestic tribulations.

Director Doug Hughes, who directed her in a production of Arthur Miller's "All My Sons" at the Westport Country Playhouse two years ago, called her for "Naked Girl."

"That she has the time to do a run of a play is just an extraordinary boon because I've had the pleasure of seeing her play a bona fide tragic American role beautifully, and I have had the pleasure of directing her in a very, very smart light comedy and be utterly brilliant in that," he said in 2005.

During an interview that year, Clayburgh explained the unglamorous side of acting.

"One of the funny things about actors is that people look at their careers in retrospect, as if they have a plan," she said.

"Mostly, you just get a call. You're just sitting there going, 'Oh, my God. I'm never going to work again. Oh, God. I'm too old. Maybe I should go and work for Howard Dean.' And then it changes."

Besides appearing in such movies as "I'm Dancing As Fast As I Can," "Silver Streak" and "Running With Scissors," Clayburgh's Broadway credits include Noel Coward's "Design for Living," the original production of Tom Stoppard's "Jumpers," and the Tony Award-winning musicals "Pippin" and "The Rothschilds."

Clayburgh's work also stretched across TV. She most recently played the matriarch of the spoiled Darling family on ABC's "Dirty Sexy Money." She was nominated for two Emmys: for best actress in 1975 for portraying a prostitute in the TV film "Hustling" and for her guest turn as a vengeful plastic surgery patient on "Nip/Tuck" on FX in 2005. She also had a recurring role on "Ally McBeal" as McBeal's mother.

Clayburgh will next be seen playing the mother of Jake Gyllenhaal's character in the upcoming film "Love and Other Drugs."

She is survived by three children, including actress Lily Rabe, Michael Rabe and stepson Jason Rabe.

There will be no funeral, Rabe said. The family will have a memorial in about six months, though plans have not been finalized.

And the Box Office Champion this week is...

LOS ANGELES (Reuters) – The "Saw" horror franchise is not as sharp as it used to be, but the seventh -- and reportedly -- final entry in the annual Halloween franchise managed to take the top spot at the weekend box office in North America, according to studio estimates issued on Sunday.

"Saw 3D" earned $24.2 million during the three days beginning on Friday, in line with muted expectations, but still the series' third-lowest opening.

Last year's disappointing "Saw VI" launched to just $14.1 million, crushed by the "Paranormal Activity" chiller. The four entries before that all opened at No. 1 with more than $30 million each. The first film in distributor Lionsgate's lucrative series, opened at No. 3 in 2004 with $14.1 million.

Last weekend's champion, "Paranormal Activity 2," slipped to No. 2 with $16.5 million, taking the 10-day haul for Paramount Pictures' scary movie sequel to $65.7 million.

Summit Entertainment's Bruce Willis-led crime ensemble "Red" held at No. 3 with $10.8 million, giving it a $58.9 million total after three weekends.

The only other new entry in the top 10 was Fox Searchlight's Hilary Swank legal drama "Conviction," which jumped 15 places to No. 10 with $1.8 million in its first weekend of wide release.

Lionsgate is a unit of Lions Gate Entertainment Corp. Paramount Pictures is a unit of Viacom Inc. Summit Entertainment is privately held. Fox Searchlight Pictures is a unit of News Corp.